<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
<channel>
<title>arisano: Art · Aesthetics · Inspiration</title>
<link>https://arisano.com/</link>
<description>An art magazine about artists, techniques, exhibitions, collecting and living with art.</description>
<language>en</language>
<atom:link href="https://arisano.com/feed.xml" rel="self" type="application/rss+xml"/>
<item><title>The great artists, a guided tour through six centuries of art</title><link>https://arisano.com/history/greatest-artists-history/</link><guid>https://arisano.com/history/greatest-artists-history/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art History</category><description>From a Florentine workshop to a silver studio in New York, twelve artists and the movements that link them, with an honest look at how fame in art is made.</description></item>
<item><title>Leonardo da Vinci, the restless mind behind the Mona Lisa</title><link>https://arisano.com/history/leonardo-da-vinci/</link><guid>https://arisano.com/history/leonardo-da-vinci/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art History</category><description>Painter, engineer, anatomist and serial non-finisher: how a notary’s son from Vinci left only a handful of paintings and still became one of the most famous artists in history.</description></item>
<item><title>Michelangelo, marble, the Sistine ceiling and a very long working life</title><link>https://arisano.com/history/michelangelo/</link><guid>https://arisano.com/history/michelangelo/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art History</category><description>Sculptor first, painter by obligation, architect in old age: Michelangelo worked for more than seventy years and left works in Florence and Rome that millions still queue to see.</description></item>
<item><title>Rembrandt van Rijn, light, shadow and the honest self-portrait</title><link>https://arisano.com/history/rembrandt/</link><guid>https://arisano.com/history/rembrandt/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art History</category><description>A miller’s son from Leiden who conquered Amsterdam, lost nearly everything and kept painting his own face with unflinching honesty, from confident youth to old age.</description></item>
<item><title>Johannes Vermeer, the quiet light of Delft</title><link>https://arisano.com/history/johannes-vermeer/</link><guid>https://arisano.com/history/johannes-vermeer/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art History</category><description>Barely three dozen paintings, most of them small, almost all set in a few quiet rooms. How Vermeer turned window light, ultramarine and patience into some of the most loved pictures in art.</description></item>
<item><title>Katsushika Hokusai, the great wave and an artist who never stopped learning</title><link>https://arisano.com/history/katsushika-hokusai/</link><guid>https://arisano.com/history/katsushika-hokusai/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art History</category><description>He changed his name dozens of times and designed one of the most reproduced images in the world in his seventies. A portrait of Hokusai and the woodblock prints that crossed the globe.</description></item>
<item><title>Claude Monet, light, haystacks and the water garden at Giverny</title><link>https://arisano.com/history/claude-monet/</link><guid>https://arisano.com/history/claude-monet/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art History</category><description>From caricatures in Le Havre to the great Water Lilies in Paris: how Claude Monet spent more than sixty years chasing light, and gave a whole movement its name almost by accident.</description></item>
<item><title>Vincent van Gogh, colour, letters and a short burst of genius</title><link>https://arisano.com/history/vincent-van-gogh/</link><guid>https://arisano.com/history/vincent-van-gogh/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art History</category><description>In barely ten years Vincent van Gogh went from late beginner to one of the most loved painters in history. His letters, and his sister-in-law, explain how.</description></item>
<item><title>Gustav Klimt, gold, ornament and the Vienna Secession</title><link>https://arisano.com/history/gustav-klimt/</link><guid>https://arisano.com/history/gustav-klimt/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art History</category><description>Gold leaf, flat ornament and frank portraits made Gustav Klimt the defining painter of Vienna around 1900. Here is how he got there and where to see the work.</description></item>
<item><title>Pablo Picasso, the many lives of a modern master</title><link>https://arisano.com/history/pablo-picasso/</link><guid>https://arisano.com/history/pablo-picasso/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art History</category><description>Blue, rose, Cubist, classical, political, playful: Pablo Picasso reinvented himself again and again over a working life of more than seventy years.</description></item>
<item><title>Frida Kahlo, pain, colour and the blue house in Coyoacán</title><link>https://arisano.com/history/frida-kahlo/</link><guid>https://arisano.com/history/frida-kahlo/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art History</category><description>Frida Kahlo turned her own life, her body and her Mexican heritage into some of the most recognisable paintings of the twentieth century.</description></item>
<item><title>Salvador Dalí, dreams, melting clocks and the theatre of Figueres</title><link>https://arisano.com/history/salvador-dali/</link><guid>https://arisano.com/history/salvador-dali/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art History</category><description>Behind the upturned moustache and the publicity stunts stood a meticulous craftsman. Salvador Dalí’s art begins and ends on the rocky coast of Catalonia.</description></item>
<item><title>Andy Warhol, soup cans, silkscreens and fame as material</title><link>https://arisano.com/history/andy-warhol/</link><guid>https://arisano.com/history/andy-warhol/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art History</category><description>Andy Warhol took soup cans, film stars and newspaper photographs and made them into art. His questions about fame, repetition and brands have never gone away.</description></item>
<item><title>Artists’ houses and studios you can visit, from Giverny to the blue house</title><link>https://arisano.com/artists-studios/artist-studios-visit/</link><guid>https://arisano.com/artists-studios/artist-studios-visit/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Artists &amp; Studios</category><description>Eight homes and workrooms, from Monet’s garden to Georgia O’Keeffe’s desert house, where you can stand in the light the artist worked in.</description></item>
<item><title>Open studio days, how to visit artists at work and what to ask</title><link>https://arisano.com/artists-studios/open-studio-days/</link><guid>https://arisano.com/artists-studios/open-studio-days/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Artists &amp; Studios</category><description>Once a year, many artists open the rooms where their work is made. Here is how to plan a route, behave as a guest and start a good conversation.</description></item>
<item><title>Inside the studio, light, space and the tools artists rely on</title><link>https://arisano.com/artists-studios/inside-artist-studio/</link><guid>https://arisano.com/artists-studios/inside-artist-studio/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Artists &amp; Studios</category><description>Why painters love north light, why sculptors need strong floors and why every studio is short of wall space. A look at the rooms where art is made.</description></item>
<item><title>Artist residencies explained, time, space and a change of scene</title><link>https://arisano.com/artists-studios/artist-residencies/</link><guid>https://arisano.com/artists-studios/artist-residencies/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Artists &amp; Studios</category><description>A studio, a room and time to think, often in another country. How artist residencies work, who chooses the artists and how you can see what they make.</description></item>
<item><title>From academy to studio, how artists train today</title><link>https://arisano.com/artists-studios/art-academies-training/</link><guid>https://arisano.com/artists-studios/art-academies-training/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Artists &amp; Studios</category><description>Plaster casts and life drawing, master classes and degree shows: how artists learn their craft, from the old academies to self-taught paths.</description></item>
<item><title>Artist statement, CV and portfolio, how to present your work well</title><link>https://arisano.com/artists-studios/artist-statement-portfolio/</link><guid>https://arisano.com/artists-studios/artist-statement-portfolio/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Artists &amp; Studios</category><description>A clear statement, an honest CV and photographs that show the work as it really is. A practical guide for artists preparing applications and profiles.</description></item>
<item><title>How to look at a painting, a ten minute method for slow looking</title><link>https://arisano.com/art-design/how-to-look-at-art/</link><guid>https://arisano.com/art-design/how-to-look-at-art/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art &amp; Design</category><description>Most of us give a painting less than half a minute. Here is a simple method that turns ten unhurried minutes into the best part of a museum visit.</description></item>
<item><title>Oil, acrylic, watercolour, gouache and tempera explained</title><link>https://arisano.com/art-design/painting-media-explained/</link><guid>https://arisano.com/art-design/painting-media-explained/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art &amp; Design</category><description>Every paint is coloured powder held in a binder. Learn how egg, oil, gum and polymer shape the look of a picture, and how to tell them apart.</description></item>
<item><title>Sculpture from marble to bronze, materials and the lost wax method</title><link>https://arisano.com/art-design/sculpture-materials-lost-wax/</link><guid>https://arisano.com/art-design/sculpture-materials-lost-wax/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art &amp; Design</category><description>Carved stone, modelled clay, cast bronze and welded steel: how sculptors choose their materials, and how a bronze is made, step by step.</description></item>
<item><title>Woodcut, etching, lithography and screenprint, printmaking explained</title><link>https://arisano.com/art-design/printmaking-techniques/</link><guid>https://arisano.com/art-design/printmaking-techniques/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art &amp; Design</category><description>An original print is not a copy of a painting. Here is how the four families of printmaking work, and how to tell them apart with a simple loupe.</description></item>
<item><title>Photography as art, from the darkroom print to the collector’s edition</title><link>https://arisano.com/art-design/fine-art-photography/</link><guid>https://arisano.com/art-design/fine-art-photography/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art &amp; Design</category><description>How photographs found their way into museums, what separates a silver print from a pigment print, and why the date of a print matters as much as the date of the picture.</description></item>
<item><title>Digital art explained, from generative code to immersive rooms</title><link>https://arisano.com/art-design/digital-art-explained/</link><guid>https://arisano.com/art-design/digital-art-explained/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art &amp; Design</category><description>From plotter drawings in the 1960s to video, net art, immersive projections and AI, a calm guide to art made with machines and to how museums keep it alive.</description></item>
<item><title>Colour in art, pigments, contrasts and the blue that cost more than gold</title><link>https://arisano.com/art-design/colour-pigments-art/</link><guid>https://arisano.com/art-design/colour-pigments-art/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art &amp; Design</category><description>From earth colours to Prussian blue and the paint tube, how artists got their colours, why ultramarine was so precious and how colour contrasts work on the eye.</description></item>
<item><title>Art movements at a glance, from the Renaissance to Pop Art</title><link>https://arisano.com/art-design/art-movements-guide/</link><guid>https://arisano.com/art-design/art-movements-guide/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art &amp; Design</category><description>Seventeen movements in one compact guide: when they happened, what they wanted, how to recognise them on a museum wall and which artists to look for first.</description></item>
<item><title>The art fair year, Basel, Frieze, TEFAF and the rest of the calendar</title><link>https://arisano.com/galleries-exhibitions/art-fairs-calendar/</link><guid>https://arisano.com/galleries-exhibitions/art-fairs-calendar/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Galleries &amp; Exhibitions</category><description>From Maastricht in March to Miami Beach in December, how art fairs work, when the big ones happen and how to enjoy them without sore feet.</description></item>
<item><title>Venice Biennale and documenta, how the great survey exhibitions work</title><link>https://arisano.com/galleries-exhibitions/biennials-documenta/</link><guid>https://arisano.com/galleries-exhibitions/biennials-documenta/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Galleries &amp; Exhibitions</category><description>Pavilions in a Venetian garden, a hundred days in Kassel: how the art world’s great survey exhibitions began, how they are run and how to plan a visit.</description></item>
<item><title>How to enjoy a vernissage, even if you know nobody</title><link>https://arisano.com/galleries-exhibitions/vernissage-guide/</link><guid>https://arisano.com/galleries-exhibitions/vernissage-guide/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Galleries &amp; Exhibitions</category><description>A glass in one hand, a crowd in front of the paintings and not a familiar face in sight. Here is how to relax, look properly and even talk to the artist.</description></item>
<item><title>Galleries explained, commercial galleries, project spaces, Kunstvereine and museums</title><link>https://arisano.com/galleries-exhibitions/galleries-explained/</link><guid>https://arisano.com/galleries-exhibitions/galleries-explained/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Galleries &amp; Exhibitions</category><description>Gallery, Kunstverein, Kunsthalle, museum: the doors look alike, but what happens behind them differs. A clear guide to who does what, for visitors and buyers.</description></item>
<item><title>Visiting a great museum without museum fatigue</title><link>https://arisano.com/galleries-exhibitions/museum-visit-guide/</link><guid>https://arisano.com/galleries-exhibitions/museum-visit-guide/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Galleries &amp; Exhibitions</category><description>Heavy legs, glazed eyes, a hundred paintings and none remembered. Museum fatigue is real, and a few simple habits keep it at bay in the Louvre or the Met.</description></item>
<item><title>Museums as architecture, buildings that became works of art</title><link>https://arisano.com/galleries-exhibitions/museum-architecture/</link><guid>https://arisano.com/galleries-exhibitions/museum-architecture/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Galleries &amp; Exhibitions</category><description>A spiral in New York, a glass pyramid in Paris, titanium in Bilbao: a tour of museum buildings that people travel to see for their own sake.</description></item>
<item><title>Buying your first artwork, a calm guide from first look to delivery</title><link>https://arisano.com/collecting/buying-first-artwork/</link><guid>https://arisano.com/collecting/buying-first-artwork/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Collecting Art</category><description>Look a lot, set a budget, ask good questions and keep the papers. A practical walk through your first purchase, from the first gallery visit to the day the work is on your wall.</description></item>
<item><title>Editions and prints decoded, numbers, artist’s proofs and signatures</title><link>https://arisano.com/collecting/editions-prints-decoded/</link><guid>https://arisano.com/collecting/editions-prints-decoded/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Collecting Art</category><description>What 12/50, AP, HC and BAT really mean, why a low number rarely matters, and how to tell an original print from a signed reproduction.</description></item>
<item><title>Provenance, certificates and condition reports, the papers that matter</title><link>https://arisano.com/collecting/provenance-certificates/</link><guid>https://arisano.com/collecting/provenance-certificates/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Collecting Art</category><description>Behind every artwork that changes hands sits a paper trail. What provenance proves, what certificates and condition reports can and cannot tell you, and how to keep your own file.</description></item>
<item><title>Buying at auction, estimates, buyer’s premium and a clear head</title><link>https://arisano.com/collecting/buying-at-auction/</link><guid>https://arisano.com/collecting/buying-at-auction/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Collecting Art</category><description>Catalogues, reserves, hammer prices and the charges that come after. How an art auction works, what you really pay and how to bid without losing your head.</description></item>
<item><title>Caring for your collection, light, climate, framing and handling</title><link>https://arisano.com/collecting/caring-for-art/</link><guid>https://arisano.com/collecting/caring-for-art/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Collecting Art</category><description>Most damage to art at home happens slowly and is easy to prevent. What museums know about light, humidity, framing and handling, translated into a few everyday habits.</description></item>
<item><title>Commissioning an artwork, from first conversation to finished piece</title><link>https://arisano.com/collecting/commissioning-artwork/</link><guid>https://arisano.com/collecting/commissioning-artwork/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Collecting Art</category><description>A commission gives you a work no one else owns. How to find the right artist, write a brief, agree the terms in writing and leave room for the artist’s own ideas.</description></item>
<item><title>How to hang art, heights, spacing and the perfect gallery wall</title><link>https://arisano.com/art-living/hanging-art-guide/</link><guid>https://arisano.com/art-living/hanging-art-guide/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art Living</category><description>A practical guide to hanging pictures at the right height, spacing groups calmly and choosing hardware that keeps every frame safe on the wall.</description></item>
<item><title>Lighting art at home, warm, safe and without glare</title><link>https://arisano.com/art-living/lighting-art-home/</link><guid>https://arisano.com/art-living/lighting-art-home/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art Living</category><description>How to choose colour temperature, beam angles and fittings so that paintings, prints and sculpture look their best at home, without fading or glare.</description></item>
<item><title>Living with art in small spaces</title><link>https://arisano.com/art-living/art-small-spaces/</link><guid>https://arisano.com/art-living/art-small-spaces/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art Living</category><description>Small rooms can hold big art. How to choose scale, use ledges, hallways and shelves, rotate a collection and keep works safe when space is tight.</description></item>
<item><title>Art hotels, when a stay becomes a gallery visit</title><link>https://arisano.com/art-living/art-hotels/</link><guid>https://arisano.com/art-living/art-hotels/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art Living</category><description>Some hotels collect, commission and exhibit art as seriously as a gallery. How to recognise them, what to ask and how to enjoy the art as a guest.</description></item>
<item><title>Art and architecture, from frescoes to percent for art</title><link>https://arisano.com/art-living/art-and-architecture/</link><guid>https://arisano.com/art-living/art-and-architecture/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art Living</category><description>For most of history, art was made for buildings. From frescoes and stained glass to Kunst am Bau and land art, how artists and architects shape spaces together.</description></item>
<item><title>Framing art, frames, mats and glazing explained</title><link>https://arisano.com/art-living/framing-guide/</link><guid>https://arisano.com/art-living/framing-guide/</guid><pubDate>Fri, 30 Oct 2026 09:00:00 GMT</pubDate><category>Art Living</category><description>When to frame and when not to, how mats and glazing protect a work, and how to choose a frame that suits both the art and your walls.</description></item>
</channel>
</rss>
